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House Beautiful’s report on the 2026 Brooklyn Heights Designer Showhouse highlights 11 details across rooms designed by different studios, including a preserved-moss canopy, a trompe l’oeil tented ceiling and a handmade tile backsplash. The source describes the designs and their inspirations; it does not provide dates, visitor information or independent assessments of the rooms.
House Beautiful has reported on 11 design details in the 2026 Brooklyn Heights Designer Showhouse, a multi-room project featuring work by interior designers and architecture studios. The selected details range from a preserved-moss bedroom canopy and historical references to Brooklyn to a kitchen backsplash made from custom ceramic tiles.
The roundup describes a range of approaches to bedrooms and private spaces. ADROIT Architecture & Interior Design worked with horticulturalist Kelly Costello of Mosswoman on a sculpted canopy of preserved moss for a guest bedroom recast as a wellness space. Artist Rick Midler created a collage for its sliding doors. In another guest bedroom, Emily Eng used Schumacher’s Ecru union cloth to create the appearance of walls rising into a tented ceiling, with an antique bronze pendant sourced from a Boston townhouse at its peak.
Several designers drew on local or historical references. Brian Cash used an Americana patchwork pattern in a guest room inspired by the history of the Hotel St. George, which House Beautiful describes as a notable center of gay life in Brooklyn from the 1920s through the 1970s. Hannah Hemmerly of HH Studio used a soft blue palette in a drawing room, connecting it to the blue-painted parlors found in some Victorian-era Brooklyn brownstones. The report also highlights Isy Runsewe’s child’s bedroom, where fantasy-inspired wallpaper is paired with vintage and antique furniture.
Other features include Max Aboody’s walnut-paneled listening room with heavy velvet drapery; an evil-eye appliqué by artist Ali MacDonald above elevator doors in Rachael Rosenblum’s design; and Sarah Fleischer’s office nook, “The Snug,” where embroidered floral drapery conceals a closet converted into a banquette. The roundup also names a continuous wall design and a sculptural chandelier. In the kitchen, designers Jess and Jonathan Nahon of Sugarhouse Design & Architecture used 36 custom ceramic tiles by Riwal Manufaktura to translate the dining room’s floral wallpaper motif into a handmade backsplash.
Design Details Link Rooms and History
The roundup shows how the showhouse’s designers used individual finishes and objects to give rooms distinct identities, while some details connect spaces to one another. The custom backsplash is a direct example: according to House Beautiful, its floral motif echoes the dining room wallpaper, carrying a design element into the kitchen in a different material.
Historical references also shape several interiors. Cash’s patchwork-inspired bedroom refers to the nearby Hotel St. George and its place in Brooklyn’s social history, while Hemmerly’s blue drawing room draws on a period detail associated with Victorian brownstones. These accounts offer readers more than a list of finishes: they explain the ideas designers say informed their choices. The source is a design roundup, however, not an independent evaluation of the showhouse or its broader influence.
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A Brooklyn Showhouse in Eleven Details
The source is a House Beautiful report presenting 11 selected design details from the 2026 Brooklyn Heights Designer Showhouse. It identifies the designers and, for some features, the artists, makers or product lines involved. Its focus is on room concepts, materials and decorative choices rather than the building’s full history or the showhouse’s operating details.
The examples span bedrooms, a drawing room, a listening room, an elevator area, an office nook and a kitchen. Together, they include botanical, historical, playful and retro references. The report gives particular attention to how materials were used: preserved moss overhead, walnut on listening-room walls, embroidered fabric concealing a closet, and handmade ceramic tiles translating a neighboring room’s floral pattern.
““deeply botanical, dramatic, and serene””
— House Beautiful, describing the ADROIT Architecture & Interior Design guest bedroom
Showhouse Dates and Access Not Given
The supplied report does not state when the showhouse opened or closed, whether it is open to visitors, or how tickets or access may be arranged. It also does not provide a complete account of all rooms beyond the 11 featured details, nor does it independently verify the historical interpretations presented for individual designs. Those details should not be inferred from the roundup.
Check Organizers for Visitor Details
Readers seeking opening dates, ticketing, location specifics or future programming will need to consult the showhouse organizers or their official announcements; the cited report does not supply that information. House Beautiful’s article is a roundup of selected design features, and no additional showhouse announcements or next milestones are identified in the source material.
Key Questions
What is the 2026 Brooklyn Heights Designer Showhouse report about?
It is a House Beautiful roundup of 11 design details from the showhouse, covering rooms such as bedrooms, a listening room, an office nook and a kitchen.
Which detail connects the kitchen to the dining room?
The kitchen backsplash uses 36 custom ceramic tiles by Riwal Manufaktura. House Beautiful says the floral pattern translates the dining room wallpaper motif into clay.
What is the moss ceiling made from?
ADROIT Architecture & Interior Design created a sculpted canopy using preserved moss, working with horticulturalist Kelly Costello of Mosswoman.
Does the report say when visitors can see the showhouse?
No. The supplied report does not give opening dates, ticketing or visitor-access details. Check the organizers’ official information for those updates.
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